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Films & Shows from United Artists

You’re now browsing page 23, where we continue to showcase even more remarkable titles produced by United Artists. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!

The Beast of Hollow Mountain (1956)

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An American cowboy living in Mexico discovers his cattle is being eaten by a giant prehistoric dinosaur.

Man from Del Rio (1956)

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Mexican gunfighter Dave Robles outdraws the town's outlaw-turned-sheriff and is invited to fill the dead man's shoes. But a tin star doesn't bring automatic respectability and Robles is shunned by the town's leading citizens. His popularity with its less-savory element, particularly saloonkeeper Bannister, wanes dramatically, too, as he starts to take his job seriously. It is his love for a decent, caring woman that keeps Dave in town, but can she convince him to lay down his gun and start a new life?

Five Steps to Danger (1956)

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Can a couple keep important secrets from Communist spies?

The Killing (1956)

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Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.

The Big Knife (1955)

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Movie star Charlie Castle draws the ire of Hollywood producer Stanley Hoff when he refuses to sign a new seven-year contract. Castle is sick of the low quality of the studio's films and wants to start a new life. While his estranged wife supports him in the decision, Castle's talent agent urges him to reconsider. When Castle continues to be uncooperative, Hoff resorts to blackmail in order to get his way.

The Indian Fighter (1955)

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A scout leading a wagon train through hostile Indian country gets involved with a Sioux chief's daughter.

The Kentuckian (1955)

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A frontiersman and his son fight to build a new home in Texas.

Gentlemen Marry Brunettes (1955)

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Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.

Fort Yuma (1955)

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Apaches plan to attack a fort by wearing uniforms plundered from a cavalry officer's (Peter Graves) supply column.

Storm Fear (1955)

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A wounded bank robber takes over his brother's home.

Robbers' Roost (1955)

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Jim "Tex" Wall, searching for the last of the three men who raped and killed his wife, joins a gang of cattle rustlers led by Hank Hays. Both Hays' outlaws and a rival gang headed by Heesman, have been hired as ranch hands by "Bull" Herrick, a cripple who owns a large cattle ranch and wants to get his large herd to market. He theorizes that the two gangs will be kept busy watching each other and neither will rustle his cattle. Helen has little faith in her brother's contrived plan, and hates and distrusts both groups. She begins to soften toward Jim, but abruptly changes when she sees a reward poster which says he has

Not as a Stranger (1955)

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Lucas Marsh, an intern bent upon becoming a first-class doctor, not merely a successful one. He courts and marries the warm-hearted Kristina, not out of love but because she is highly knowledgeable in the skills of the operating room and because she has frugally put aside her savings through the years. She will be, as he shrewdly knows, a supportive wife in every way. She helps make him the success he wants to be and cheerfully moves with him to the small town in which he starts his practice. But as much as he tries to be a good husband to the undemanding Kristina, Marsh easily falls into the arms of a local siren and the patience of the

Man with the Gun (1955)

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A stranger comes to town looking for his estranged wife. He finds her running the local girls. He also finds a town and sheriff afraid of their own shadow, scared of a landowner they never see who rules through his rowdy sidekicks. The stranger is a town tamer by trade, and he accepts a $500 commission to sort things out.

Stranger on Horseback (1955)

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A circuit judge in the old west attempts to bring a suspected killer to justice. The judge runs afoul of the killer's rich cattle baron father in the process.

Kiss Me Deadly (1955)

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One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.

Marty (1955)

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Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.

The Night of the Hunter (1955)

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In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.

Killer's Kiss (1955)

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Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.