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Films & Shows from Universal Pictures

You’re now browsing page 65, where we continue to showcase even more remarkable titles produced by Universal Pictures. If you’ve already discovered some standout works on previous pages, now’s the perfect time to delve deeper and find your next favorite. Keep exploring and enjoy the journey!

Hold That Ghost (1941)

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Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers.

In the Navy (1941)

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Popular crooner Russ Raymond abandons his career at its peak and joins the Navy using an alias, Tommy Halstead. However, Dorothy Roberts, a reporter, discovers his identity and follows him in the hopes of photographing him and revealing his identity to the world. Aboard the Alabama, Tommy meets up with Smoky and Pomeroy, who help hide him from Dorothy, who hatches numerous schemes in an attempt to photograph Tommy/Russ being a sailor.

Badlands of Dakota (1941)

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In the Dakotas during the days of the Great Gold Boom, brothers Jim and Bob Holliday are bumping heads over the affections of pretty Anne Grayson. While all this is going on, Wild Bill Hickok does his best to neutralize the local criminal element-and to fend off the romantic overtures of boisterous Calamity Jane.

Hellzapoppin' (1941)

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Olsen and Johnson, a pair of stage comedians, try to turn their play into a movie and bring together a young couple in love, while breaking the fourth wall every step of the way.

The Flame of New Orleans (1941)

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In old New Orleans, a beautiful adventuress juggles the attentions of a rich banker and a dashing sea captain.

It Started with Eve (1941)

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A young man asks a hat check girl to pose as his fiancée in order to make his dying father's last moments happy. However, the old man's health takes a turn for the better and now his son doesn't know how to break the news that he's engaged to someone else, especially since his father is so taken with the impostor.

Back Street (1941)

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Previously filmed in 1932, and remade a third time in 1961, this second film version of Fannie Hurst's novel stars Margaret Sullavan as a fashion designer in love with a married banker (Charles Boyer). Directed by Robert Stevenson, the film also stars Richard Carlson, Tim Holt, Frank McHugh, Esther Dale and Cecil Cunningham.

Never Give a Sucker an Even Break (1941)

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Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

Nice Girl? (1941)

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Jane is a nice girl and has had her eyes on a young man who seems more interested in his hand-built car than in Jane. She decides to shed her "nice girl" image when an associate of her father comes to town on his way to study Australian Aboriginal tribes.

Fighting Bill Fargo (1941)

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Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office.

Law of the Range (1941)

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The Wolverine Kid kills a man and it looks like Steve Howard did it. But Steve's father recognizes the bullet as coming from the gun owned by the Kid.

Sky Raiders (1941)

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Captain Bob Dayton and Lieutenant Ed Carey are partners in a company called "Sky Raiders" which seeks US government contracts for its inventions. Enemy spies attempt to steal, sabotage and discredit the inventions and founders of the company.

Riders of Death Valley (1941)

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The Saturday matinee crowd got two cowboy stars for the price of one in this lavishly budgeted western serial starring former singing cowboy Dick Foran and Buck Jones. The latter contributed deadpan humor to the proceedings, making Jones perhaps the highest paid B-western comedy relief in history. The two heroes defend the Death Valley borax miners from an outlaw gang headed by Wolf Reade. An extraordinarily strong cast -- for a serial, at least -- supported the stars, headed by Charles Bickford as Reade, Leo Carillo, Lon Chaney, Jr., and silent screen star Monte Blue. Leading lady Jeanne Kelly later changed her name to Jean Brooks and

The Wolf Man (1941)

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After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.

The Mummy's Hand (1940)

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A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.

The Invisible Woman (1940)

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Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.

When the Daltons Rode (1940)

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Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?

The Invisible Man Returns (1940)

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The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.