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You are now browsing page 45, where we continue to showcase more exceptional titles from Criterion Channel. If you’ve already discovered some must-watch gems on previous pages, now is the perfect time to delve deeper into this provider’s extensive library. Keep exploring and enjoy the journey!
WR: Mysteries of the Organism (1971)
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What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
Zatoichi Meets the One-Armed Swordsman (1971)
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Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.
Mon oncle Antoine (1971)
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Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.
Godzilla vs. Hedorah (1971)
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An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.
Two English Girls (1971)
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At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman, befriends Ann, an Englishwoman. While spending time in England with Ann’s family, Claude falls in love with her sister Muriel, but both families lay down a year-long separation without contact before they may marry.
Walkabout (1971)
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Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
Meeting the Man: James Baldwin in Paris (1971)
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In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmarks and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
Wanda (1970)
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After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.
A Touch of Zen (1970)
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Ku Shen Chai, an artist in his early 30s, still lives with his mother, but he is suddenly shaken by the arrival of Yang Hui-ching, a mysterious princess on the run. Yang brings Ku into her circle of protectors, including a nameless monk whose spiritual guidance transforms him into a valiant fighter.
The Shadow Within (1970)
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When a married man begins an affair with a woman from his past, he comes to suspect her young son intends to murder him.
Equinox (1970)
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Due to their possession of an ancient mystic book, four friends are attacked by a demon while on a picnic and find themselves pitched into a world of evil that overlaps their own. The film was originally made in 1967 by Dennis Muren as The Equinox: Journey into the Supernatural. Jack Woods was hired to shoot additional footage and expand on Muren's work.
Valerie and Her Week of Wonders (1970)
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Valerie, a Czechoslovakian teenager living with her grandmother, is blossoming into womanhood, but that transformation proves secondary to the effects she experiences when she puts on a pair of magic earrings. Now seeing the world around her in a different light, Valerie must endure her sexual awakening while attempting to discern reality from fantasy as she encounters lecherous priest Gracian, a vampire-like stranger and otherworldly carnival folk.
Wanda (1970)
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After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.
Witchhammer (1970)
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In the 1600s, an overzealous clergy hauls innocent women in front of tribunals, forces them to confess to imaginary witchery, and engages in brutal torture and persecution of their subjects.
Case for a Rookie Hangman (1970)
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Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He
The Student Nurses (1970)
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Follows the lives of a group of young nurses in Los Angeles, including a nurse who joins a band of revolutionaries, and one who finds herself succumbing to drugs.
The Honeymoon Killers (1970)
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Martha Beck, an obese nurse who is desperately lonely, joins a "correspondence club" and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he's a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray's sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.
Baal (1970)
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Baal explores the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.