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Snow Trail (1947)
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Three bank robbers, Eijima, Nojiri, and Takasugi, flee the police and escape into the mountains. At an inn high in the Japanese Alps, Eijima and Nojiri encounter a young woman and her father, as well as Honda, a mountaineer. The inn folk do not realize their guests are wanted criminals and the visitors are treated with great kindness. Honda volunteers to lead them over the mountains, but Eijima's paranoia endangers all of them as they make the perilous trip.
People of the Po Valley (1947)
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A documentary short detailing the life of Italians living on the Po River in the 1940s.
Monsieur Verdoux (1947)
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The film is about an unemployed banker, Henri Verdoux, and his sociopathic methods of attaining income. While being both loyal and competent in his work, Verdoux has been laid-off. To make money for his wife and child, he marries wealthy widows and then murders them. His crime spree eventually works against him when two particular widows break his normal routine.
Black Narcissus (1947)
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A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
Panic (1947)
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Proud, eccentric, and antisocial, Monsieur Hire has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town and discovers that his neighbors are only too ready to suspect the worst of him.
Let There Be Light (1946)
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The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Mr. Prokouk: A Horseshoe for Luck (1946)
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Mr. Prokouk finds a horseshoe and thinks it's a good luck charm. So, he decides to take it with him home and find a suitable place for it. He soon discovers that the horseshoe brings him nothing but bad luck.
No Regrets for Our Youth (1946)
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Over more than a decade, the daughter of a Kyoto Imperial University professor comes of age as she witnesses her father fired for opposing the rise of fascism in Japan and becomes involved with two of his students.
Green for Danger (1946)
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In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
Crisis (1946)
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A poor Swedish piano teacher and her foster daughter’s lives are upended when the child’s biological mother arrives in their small town to reclaim her.
I See a Dark Stranger (1946)
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Proud Irishwoman Bridie Quilty journeys to Dublin while World War II rages across Europe. During her travels, she encounters J. Miller, who recruits her as a Nazi spy. She acquires the necessary information that leads to the breakout of a German spy who holds key information about the Allies' newest offensive plans. However, the arrival of British officer David Baynes and his romancing of Bridie lead to unexpected consequences.
The Man I Love (1946)
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Tough torch singer Petey Brown, visiting her family, finds a nest of troubles: her sister, brother, and the neighbor's wife are involved in various ways with shady nightclub owner Nicky Toresca. Petey has what it takes to handle Nicky, but then she meets San Thomas, formerly great jazz pianist now on the skids, and falls for him hard.
Utamaro and His Five Women (1946)
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Utamaro, a great artist, lives to create portraits of beautiful women, and the brothels of Tokyo provide his models. A world of passion swirls around him, as the women in his life vie for lovers. And, occasionally, his art gets him into trouble.
Great Expectations (1946)
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In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.
Beauty and the Beast (1946)
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The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
Gilda (1946)
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A gambler discovers an old flame while in Argentina, but she's married to his new boss.
Paisan (1946)
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Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice.
A Christmas Dream (1945)
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Christmas has arrived. As a little girl and her parents enter the room, the little girl finds all kinds of toys under the Christmas Tree. She immediately throws her old doll aside and starts playing with her new dolls. But that night she has a dream. Or maybe it isn't a dream?