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Hôtel du Nord (1938)
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A young couple's suicide pact goes awry, leaving the woman to face her survival with a new admirer while pining for her lost love.
The Divorce of Lady X (1938)
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The morning after a London barrister lets a mystery woman stay in his suite, a friend files for divorce.
The Masseurs and a Woman (1938)
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A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephew—The Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.
The Drum (1938)
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Set in the India of the British Raj, the evil and untrustworthy Prince Guhl (Raymond Massey) plans to wipe out the British troops as they enjoy the hospitality of Guhl's spacious palace. It's up to the loyal young Prince Azim (Sabu) to warn the troops of Guhl's treachery by tapping out a message on his drum.
Alexander Nevsky (1938)
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When German knights invade Russia, Prince Alexander Nevsky must rally his people to resist the formidable force. After the Teutonic soldiers take over an eastern Russian city, Alexander stages his stand at Novgorod, where a major battle is fought on the ice of frozen Lake Chudskoe. While Alexander leads his outnumbered troops, two of their number, Vasili and Gavrilo, begin a contest of bravery to win the hand of a local maiden.
Olympia: Part One – Festival of the Nations (1938)
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Olympia: Part Two – Festival of Beauty (1938)
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
The Lady Vanishes (1938)
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On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
Humanity and Paper Balloons (1937)
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In a slum in Edo Japan, a ronin hopes that his deceased father's former master will hire him while a disgraced hairdresser attempts to regain his pride by kidnapping the daughter of a wealthy pawnbroker, who is set to be married.
King Solomon's Mines (1937)
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White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.
Life Dances On (1937)
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After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
Young and Innocent (1937)
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Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
What Did the Lady Forget? (1937)
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A professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.
Pépé le Moko (1937)
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Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
Bulldog Drummond at Bay (1937)
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Drummond goes up against foreign agents who are trying to steal plans for a top-secret aircraft.
Elephant Boy (1937)
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In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.
Désiré (1937)
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Sacha Guitry exchanges his usual top hat for a uniform in Désiré, playing a cavalier valet embroiled in an awkward flirtation with his new employer (played by the actor-director's real-life wife, Jacqueline Delubac), who is involved with a stuffy politician. A carefree class farce filled with memorable supporting characters, Désiré blurs the distinction between upstairs and downstairs.
History Is Made at Night (1937)
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An American woman falls in love with a romantic Parisian head waiter who tries to save her from her possessive wealthy ex-husband who wants to keep her under his control.