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Invasion of the Star Creatures (1962)
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Beautiful alien Amazonian women plan to conquer the world using an army of vegetable monsters. Dim-witted privates Philbrick and Penn bumble into a cave in search of atomic activity but collide instead with fierce carrot-topped tree mutants and their leaders, the 7-foot space sirens Prof. Tanga and Dr. Puna. This lavishly low-budget sci-fi romp has the bodacious aliens planning to overrun Earth with their vege-men army, but first they want the G.I.s to explain the meaning of love.
Phaedra (1962)
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A modern retelling of the Greek myth of Phaedra. The young and fiery second wife of an extremely wealthy shipping magnate meets her estranged stepson Alexis and sparks immediately fly. Their love seems doomed from the beginning when she convinces him to come to Paris to meet his father.
The Premature Burial (1962)
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An artist grows distant from his new wife as an irrational horror of premature burial consumes him.
Eegah (1962)
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Teenagers stumble across a prehistoric caveman, who goes on a rampage.
Varan the Unbelievable (1962)
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In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated. However, their purifying experiments arouse the prehistoric monster Obaki from hibernation at the lake's bottom, and it proceeds to attack Japan. Although made by a U.S. independent film company, this film was based on a Japanese Toho monster film of 1958, "Daikaiju Varan", from which all of the monster effects scenes and a few incidental dramatic shots were edited into it.
Samar (1962)
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In 1870, in the Spanish Philippines, the commandant of an island penal colony, aided by an American doctor and local villagers, decides to relocate his coastal camp to a fertile valley inland but the arduous trek is fraught with dangers.
Hands of a Stranger (1962)
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A concert pianist loses his hands in a car crash, but a surgeon gives him new ones. The experimental medical procedure goes awry when the new hands drive the pianist mad.
Wild Guitar (1962)
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A young rock & roll hopeful is given a shot at the big time by the unscrupulous owner of a small record company.
Carnival of Souls (1962)
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Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
Night Tide (1961)
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A young sailor falls in love with a mysterious woman performing as a mermaid on the local pier. As they become entwined, he comes to suspect the woman might be a real mermaid who lures men to a watery death during the full moon. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
Doctor Blood's Coffin (1961)
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After being thrown out of medical school for ethical violations, Dr. Peter Blood returns home to a small Cornish village, where he sets up a research laboratory in a secluded cave. There, he attempts to revive the dead, using kidnapped humans -- who he views as unworthy of life -- for their body parts, specifically, their hearts.
The Phantom Planet (1961)
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After an asteroid draws an astronaut and his ship to its surface, he is miniaturized by the phantom planet's exotic atmosphere.
Town Without Pity (1961)
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Four American soldiers stationed near a German village face death in the rape of a local girl and are defended by outside counsel Major Steve Grant.
The Deadly Companions (1961)
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Ex-army officer accidentally kills a woman's son, tries to make up for it by escorting the funeral procession through dangerous Indian territory.
Mr. Sardonicus (1961)
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In 1880, Sir Robert Cargrave, a London physician known for his experimental work in paralysis treatment, is summoned to Gorslava by the mysterious Baron Sardonicus—who is now married to Cargrave's former wife, Maude—to treat his disfigurement. When Cargrave arrives, he finds the masked baron is a cruel sadist who has threatened to harm Maude if he is not successfully cured.