Watch Movies & Shows from Metrograph
Welcome to our curated selection of titles available through Metrograph. Here, you’ll find a diverse range of films, TV series, and animated features that cater to various tastes and interests. Whether you’re a longtime subscriber or exploring Metrograph’s offerings for the first time, this collection aims to guide you toward the most captivating, critically acclaimed, and fan-favorite content on this platform.
Dream Team (2024)
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In this absurdist homage to 90’s basic cable TV thrillers, two hot INTERPOL agents uncover an international, interspecies mystery.
The Girl and the Spider (2021)
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Lisa is moving. Upheaval all around: Her mother flirts with a handyman. An eccentric woman seems to be preparing for a glamorous event, a family next door returns from vacation, and a girl documents the adventurous day. As boxes are transported, walls painted white, and furniture is assembled, underlying problems in need of fixing are revealed, a to-do list expands, and desires and needs flair up.
Days (2021)
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Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.
The Woman Who Ran (2020)
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While her husband is on a business trip, Gam-hee meets three of her friends on the outskirts of Seoul.
Last and First Men (2020)
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As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.
Tommaso (2020)
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Tommaso is an American expat film director living in Rome with his young wife and their daughter. Disoriented by his past misgivings and subsequent unexpected blows to his self-esteem, Tommaso wades through this late chapter of his life with an increasingly impaired grasp on reality as he prepares for his next film.
I Was at Home, But... (2019)
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After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life.
The Projectionist (2019)
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In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.
Take Me Somewhere Nice (2019)
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A teen raised in the Netherlands by her single mother travels to their native Bosnia to visit the father who left them, as he’s been admitted to a rural hospital. Joined by her cousin and his best friend, they hit the road.
The Image Book (2018)
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In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the
The Wolf House (2018)
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María, a girl from Colonia Dignidad, in Chile —a kind of sectarian community, tyrannically mastered by the ruthless Paul Schäfer, a German madman, religious fanatic and child predator, who would end up turning the place into a torture center at the service of the military dictatorship ruled by Augusto Pinochet—, is punished for having lost three pigs, so she decides to run away and take refuge in an abandoned house hidden in the forest.
The Wild Pear Tree (2018)
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Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.
Asako I & II (2018)
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Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
Claire's Camera (2018)
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Claire, a school teacher with a camera is on her first visit to Cannes. She happens upon a film sales assistant, Man-hee, recently laid off after a one-night stand with a film director.
Zama (2017)
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In a remote South American colony in the late 18th century, officer Zama of the Spanish crown waits in vain for a transfer to a more prestigious location. He suffers small humiliations and petty politicking as he increasingly succumbs to lust and paranoia.
I Am Not a Witch (2017)
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Convicted of witchcraft, 8-year-old Shula is brought to live in a penal colony where witches do hard labour in service of the government.
A Woman, a Part (2017)
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An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.