Top Movies from 1943
You are now browsing page 10, where we continue to highlight more remarkable films from 1943. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!
Dizzy Detectives (1943)
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The Stooges are carpenters who become policemen. A mysterious burglar disguised as a gorilla has the cops baffled and Mr. Dill, the head of the citizens league, threatening the police chief's job. The boys go on the case and pose as night watchmen at an antiques store. They confront the crook, who turns out to be a real gorilla owned by Dill. After defeating Dill and some other bad guys in a wild fight, the gorilla drinks some nitroglycerin and blows up.
The Man in Grey (1943)
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After marrying a dour and disinterested lord for status, a young woman falls in love with a stage actor while her best friend from boarding school enters an affair with her husband.
White Savage (1943)
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A native boy plays Cupid for a shark fisherman and a South Sea Islands princess.
So Proudly We Hail (1943)
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During the start of the Pacific campaign in World War II, Lieutenant Janet Davidson is the head of a group of U.S. military nurses who are trapped behind enemy lines in the Philippines. Davidson tries to keep up the spirits of her staff, which includes Lieutenants Joan O'Doul and Olivia D'Arcy. They all seek to maintain a sense of normal life, including dating, while under constant danger as they tend to wounded soldiers.
Let's Face It (1943)
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A soldier stationed on an army base and his fiancé, who runs a women's "fat farm" nearby, want to get married but don't have enough money. Three customers of the "fat farm" scheme to get back at their philandering husbands by hiring the soldier and two of his buddies as "escorts" for the weekend. Complications ensue when the husbands show up unexpectedly.
The Children Are Watching Us (1943)
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In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
Why We Fight: The Nazis Strike (1943)
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The second film of Frank Capra's Why We Fight propaganda film series. It introduces Germany as a nation whose aggressive ambitions began in 1863 with Otto von Bismarck and the Nazis as its latest incarnation.
Truck Busters (1943)
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An independent truck driver organizes his fellow truckers to resist the efforts of a crooked trucking company exec to bring all drivers under his control. When the trucker's brother dies in an "accident" arranged by the trucking company's henchmen, he takes matters into his own hands
The Meanest Man in the World (1943)
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Compassionate small-town lawyer Richard Clarke moves to New York City to seek his fortune, but is unsuccessful until he takes a friend's advice and tries to convince the world he's a ruthless heel. Suddenly he's the most popular lawyer in town -- but he could lose his fiancée.
Gung Ho! (1943)
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A true-life epic that revolves around an exclusive bataillon of the U.S. Marine Corps during World War II, "Carlson's Raiders," whose assignment is to take control of a South Pacific island once possessed by the United States but now under Japanese command.
Reveille with Beverly (1943)
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Beverly Ross, the switchboard operator at a local radio station, jumps at the chance to be the DJ for an early morning show before the soldiers at a nearby army camp assemble for reveille. Beverly, with her modern music, camp bulletins and chatter, is a hit with the soldiers. Beverly's younger brother and his two buddies are soldiers at the camp. The buddies vie for Beverly's attentions.
The Dark Tower (1943)
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While working at a circus, a man hypnotizes a trapezist to kill her partner.
Boss of Rawhide (1943)
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Texas Rangers Tex Wyatt, Jim Steele and Panhandle Perkins are sent to the district of Rawhide to investigate the killings of several ranchers. Tex enters the town posing as a tramp while the other two Rangers join a troupe of itinerant minstrels.
Rookies in Burma (1943)
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In the jungles of Burma, U.S. Army Privates Jerry Miles, and Mike Strager, are still spending most of their time on KP duty. However they are captured by the Japanese and taken to a prison camp and discover that their long-suffering Sergeant Burke has also been captured. They manage to escape and find their way to a Burmese village in which two American showgirls, Janie and Connie who have escaped from Shanghai, are stranded. They all borrow an elephant and head for India.
The Life of Matsu the Untamed (1943)
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Matsugoro is a poor rickshaw driver whose animated spirit and optimistic demeanor make him a favorite of the town. Matsu helps an injured boy, Toshio, and is hired by the boy's parents.
Submarine Base (1943)
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Ship engineer Jim Taggert is rescued from a torpedoed tramp steamer by Joe Morgan, an American gangster that found New York too hot for him, and has become a fisherman operating from an out-of-the-way island off of the coast of South America. Morgan makes his headquarters at the Halfway House run by the parents of Maria Styx as a bar and dance resort catering to the planters and traders of the island. Taggert finds himself practically a prisoner along with a group of American girls acting as entertainers at the resort. Taggert shadows Morgan in his activities in a remote cove and finds that Morgan is supplying German U-boat commanders with
Hers to Hold (1943)
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Deanna Durbin is all grown up in Hers to Hold, the unofficial sequel to her "Three Smart Girls" films of the 1930s. Durbin plays Penelope Craig, the starry-eyed daughter of wealthy Judson and Dorothy Craig (Charles Winninger, Nella Walker). Developing a crush on much-older playboy Bill Morley (Joseph Cotton), Penelope stops at nothing to land the elusive Morley as her husband. Highlights include Durbin's renditions of "Begin the Beguine" and the "Seguidilla" from Carmen, and a captivating sequence that includes highlights from Durbin's earlier films, presented as home movies!