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Top Movies from 1967

You are now browsing page 14, where we continue to highlight more remarkable films from 1967. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!

Zatoichi's Cane Sword (1967)

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Zatoichi comes upon the town of Tonda, overrun by gangsters. Using one of his favorite techniques, Zatoichi proceeds to win 8 ryo in a rigged gambling game. Of course, the local gangsters attempt to kill him, and the adventure begins. It turns out a blacksmith named Senzo examines Zatoichi's cane sword, and discovers it to be forged by his old mentor. Senzo discovers the sword is at the end of its usefulness and will break when it is used next.

Japanese Summer: Double Suicide (1967)

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A sex-obsessed woman, a suicidal man she meets on the street, and a gun-crazy wannabe gangster become trapped in an underground hideaway.

A Colt Is My Passport (1967)

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A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.

She-Man: A Story of Fixation (1967)

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4.9 337215

A soldier is forced to take estrogen and wear lingerie when he's blackmailed by a violent transvestite.

You're in Love, Charlie Brown (1967)

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With the school year coming to a close, Charlie Brown is trying to work up the courage to meet his dream girl, whom he only knows as "The Little Red Haired Girl." However, he's too nervous to go meet her upfront and all his attempts to impress her at school backfire disastrously. His friends, Linus and Peppermint Patty, try to help, but only aggravate the situation, while Charlie Brown desperately tries to find a solution to this romantic conundrum.

Long Days of Vengeance (1967)

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After suffering three years of hard labor in a prison camp, former sheriff Ted Barnett escapes. Now he seeks revenge.

The Last Killer (1967)

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Ramon's parents are killed by men of landowner John Barrett. While trying to get revenge, Ramon is wounded but has saved the life of Rezza, an old disillusioned killer. While nursing his wounds, the men become reluctanfriends and Rezza teaches Ramon the art of shooting, surviving and the loneliness a killer has to bear. Ramon becomes threat for Barrett, the landowner engages Rezza to kill Ramon.

A Man Vanishes (1967)

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A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.

The Assassin (1967)

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Yu is a two-armed swordsman who is betrayed by a jealous rival, but initially seeks a life of simple pleasures until an accidental meeting with another patriot sets him back on the road to bloody, brutal vengeance.

The Red and the White (1967)

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In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side and then the other.

Gappa, the Triphibian Monster (1967)

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An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.

Tomorrow’s Promise (1967)

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“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero

Ironside (1967)

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When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield join with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.

Martha (1967)

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The oldest ship in the fleet, Martha, and her jolly crew, must race Harald and win, or it's the scrappers next.

Shanty Tramp (1967)

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On a hot night in Dixie, the local shanty tramp heads out for adventure and leaves disaster in her wake. The lust she excites in the local men leads to fights, murders, lynch mobs, ruined reputations, and broken homes.

Man in a Suitcase (1967)

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Accused of treason, a former U.S. intelligence officer based in London tries to clear his name, taking on freelance jobs around Europe as he searches for answers.

The Prisoner (1967)

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After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.

Mannix (1967)

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6.7 587914
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Mannix is an American television detective series that ran from 1967 through 1975 on CBS. Created by Richard Levinson and William Link and developed by executive producer Bruce Geller, the title character, Joe Mannix, is a private investigator. He is played by Mike Connors. Mannix was the last series produced by Desilu Productions.