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Top Movies from 1968

You are now browsing page 15, where we continue to highlight more remarkable films from 1968. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!

Indecent Desires (1968)

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Zeb finds a doll and a ring in a garbage can. Then, he sees Ann going to work with her friend Babs. He thinks she looks like the doll. When he gets home, he caresses the doll... Ann feels it! When Zeb finds out about Ann's fiance Tom, he really gets mad, burns the doll, and beats it up, which makes Ann think she's losing her mind.

Red Peony Gambler (1968)

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Ryuko was raised by her father, a gambler named Senzo Yano in Kumamoto, Kyushu, after her mother died when she was little. When she turned 18 years old, her father was attacked and killed by a stranger in alley. Ryuko then dissolves her yakuza family, and, carrying the wallet left by the killer, she sets out on a journey to avenge her father's death. Five years later, she wanders the nation, known only as! Red Peony Oryu who has a red peony tattooed on her shoulder and has the defiance and courage of a man. She meets Katagiri - a loner gambler, Kumatora - boss of a family in Shikoku, and Otaka - female boss of the Doman Family in Osaka. With

Speedway (1968)

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A race car driver tries to outrun the beautiful tax auditor out to settle his account.

Mrs. Brown, You've Got a Lovely Daughter (1968)

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Herman inherits a greyhound and decides to make his fortune by dog racing. After traveling from Manchester to London in the hope of entering a national invitational, Herman and his friends find work in a pop group, and Herman falls in love.

Ace High (1968)

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After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.

Monk (1968)

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Part one of a two-part portrait of the great Jazz composer and pianist. In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York and Atlanta. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein. The members of the quartet were Charlie Rouse, Larry Gales, and Ben Riley.

If He Hollers, Let Him Go! (1968)

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James Lake (Raymond St. Jacques) is an escaped black convict imprisoned for a murder he didn't commit. Leslie Whitlock (Kevin McCarthy) offers James money to kill his wife, Ellen (Dana Wynter). He declines and tries to look up his old flame Lily (Barbara McNair), but discovers his own brother is now married to the sultry nightclub singer. James returns to Leslie, and the trio travel towards a mountain retreat. James and Ellen escape and try to find the murderer who had framed James years before.

The Fiction Makers (1968)

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Simon Templar is hired by a friend in the book publishing trade to protect one of his stars, a secretive recluse named Amos Klein who writes a popular (and lucrative) series of adventure novels about a manly and suave spy.

Girl in Gold Boots (1968)

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A girl tries to become the top star in the glamorous world of Go-Go Dancing.

Monk in Europe (1968)

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Part two of a two-part portrait of the great Jazz composer and pianist. On his European tour his quartet was joined by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin. They traveled as part of George Wein’s Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam.

Lemon Grove Kids Meet the Monsters (1968)

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The adventures of the Lemon Grove Kids in this Bowery Boys inspired kiddie film.

Three Resurrected Drunkards (1968)

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Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.

The Shy Deceiver (1968)

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A young thug wanna-be yakuza falls in love with a country girl.

The Girls (1968)

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A theater company rehearses Aristophanes play "Lysistrata" in which the Athenian women revolt to force the men to suspend the war and make peace. The three leading female actresses, Liz, Marianne and Gunilla, all live in humiliating circumstances to their men.

The Young Animals (1968)

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A small Arizona town is plagued by violence created from the tension between Anglo and Mexican-American youths. Tony (Tom Nardini) is the idealistic new kid in school who tries to alleviate long-time tensions between the rival factions. The Mexican gang is led by Paco (Zooey Hall), a hot-tempered youth with good reason to resent some of his Caucasian counterparts due to past prejudices. Bruce (David Macklin) is the leader of the white gang. Patty McCormack and Joanna Frank are the female interests who become victims of the gang struggles. Tony, formerly from San Diego, attempts to change the attitudes of the polarized and violent groups.

Johnny Hamlet (1968)

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On his way back from the Civil War, Johnny Hamilton is visited in his sleep by the ghost of his father who lets him know that he has been murdered and who asks him to avenge him. Back in the family ranch, Johnny finds that not only has his father been killed but that Gertrude, his mother, has married her late husband's brother Claude. The latter is now the owner of the ranch and of all the properties of the deceased. Polonius, a ruthless bandit, is supposed to have killed Johnny's father. But couldn't it be Claude...?

Trail of the Falcon (1968)

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In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

Wheel of Ashes (1968)

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A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.