Top Movies from 1968
You are now browsing page 3, where we continue to highlight more remarkable films from 1968. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!
Pretty Poison (1968)
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A troubled arsonist spins a tale of espionage to a captivating girl, who becomes enthralled and entangled in his dangerous fantasies, leading to unexpected murder and chaos that change their lives forever.
The Mercenary (1968)
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While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry's treasures, which Kowalski revels in.
Lady in Cement (1968)
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While diving for sunken treasure, street-smart gumshoe Tony Rome finds the body of a gorgeous blonde, her feet stuck in a block of cement. Soon after, tough guy Waldo Gronski hires him to find a missing woman named Sandra Lomax, and Rome wonders if there's a connection. He sets about trying to locate the woman, and in no time finds himself mixed up with a beautiful party girl and a slippery racketeer.
Madigan (1968)
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NYPD detectives Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, they are given a weekend to bring Benesch to justice. While they follow various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.
Isadora (1968)
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A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
Head (1968)
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In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Black Jack (1968)
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Black Jack Murphy is the brains in an outfit of outlaws who rob the bank at Tusca City. All goes to plan with the heist but once the loot is safely obtained Jack's men lose no time in trying to double cross him. Wily Jack manages to outfox them at first and gets away with the cash but they soon catch up with him again and not only make off with the money but leave him crippled and carrying multiple causes for wanting revenge. This need for amends possesses Jack with an all consuming passion and he sets out to get even with each of his unfaithful former compadres but has his particular sights set on Indian Joe and Sanchez who abused and
Kill! (1968)
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A pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.
Death by Hanging (1968)
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A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.
Woman in Chains (1968)
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Gallery director Stanislas bolsters the development of modern art with his collection of surprising works. His newest acquisition is a sculpture by Gilbert, whose wife Josée is captivated by Stanislas. But unbeknownst to her, Stanislas is amassing photographs of a very perverse, disturbed nature.
Why Man Creates (1968)
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A 1968 animation/documentary that criticises the industrial system. Preserved by the Academy Film Archive.
Sympathy for the Devil (1968)
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While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.
Thunderbird 6 (1968)
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The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the world. Against backdrops including the Statue of Liberty and the Sphinx, Lady Penelope, Parker, Alan and Tin-Tin fight the hijackers from on-board, while the rest of the team tries to stop the airship crashing.
Danger: Diabolik (1968)
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International man of mystery Diabolik and his sensuous lover Eva Kant pull off heist after heist, all while European cops led by Inspector Ginko and envious mobsters led by Ralph Valmont are closing in on them.
Monterey Pop (1968)
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Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.
Greetings (1968)
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Three friends in New York City discuss how to dodge the draft and Vietnam, JFK's assassination, voyeurism, computer dating, and everything else.
Hellfighters (1968)
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The adventures of oil well fire specialist Chance Buckman (based on real-life Red Adair), who extinguishes massive fires in oil fields around the world.
Inspector Clouseau (1968)
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Detective Inspector Jacques Clouseau is borrowed from the Surete on special assignment for Scotland Yard in hopes that a fresh outlook will help the government recover the loot from the Great Train Robbery, which is being used to underwrite a new crime wave. What they don't count on, however, is having more than one Clouseau on the job.