Top Movies from 1969
You are now browsing page 12, where we continue to highlight more remarkable films from 1969. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!
How to Commit Marriage (1969)
- 0
A young couple decide to live together and they wind up having a baby. They decide they should give the baby up for adoption. The baby's Mother's parents wind up adopting the baby using a fake name.
A Walk with Love and Death (1969)
- 0
During France’s Hundred Years’ War, a Parisian student seeks refuge by the sea and falls in love with an aristocrat. As they find shelter in a monastery, their romance is overshadowed by the ongoing conflict between peasants and noblemen.
Eagles Over London (1969)
- 0
The British High Command finds itself in the thick of a huge dilemma when it is realized that they have long been infiltrated by spies from a German intelligence group. This all happens during the preliminary stages of the Battle of Britain.
The Guru (1969)
- 0
Britain's top pop artiste, Tom Pickle, travels to Bombay, India, circa 1960s to learn to play the sitar from renowned maestro Ustad Zafar Khan.
Taste of Excitement (1969)
- 0
A man has been killed on the Dover/Boulogne car ferry. What is the connection between him and the attempts being made to kill Jane Kerrell, a young girl in her early twenties? As she speeds through the French countryside to the South of France, several attempts are made on her life as she is deliberately forced off the road by another car. But when she reports these attempts, the local Cap Ferrat Police Inspector and the sinister psychiatrist, Dr. Forla believe these attempts are in her imagination and Dr Forla, concludes that Jane is mentally disturbed. At her wits end Jane finds an ally in the young English painter, Paul Hedley who finally
Run, Angel, Run! (1969)
- 0
Angel (William Smith), an outlaw biker, sells out his gang by exposing their wild conquests to Like magazine for $10,000. With his photo on the cover, Angel skips town and tries to start over with help from sheep rancher Dan Felton (Dan Kemp). An ex-motorcycle enthusiast, Dan becomes a mentor to Angel, giving him hope for a peaceful future. But Angel must put hope aside when members of his former gang viciously attack Dan's teenage daughter.
Body Fever (1969)
- 0
Set in the sordid underworld of drug trafficking and prostitutes, this story involves Charlie Smith, private eye, whose job it is to find Carrie Friskine and fast! Carrie, a cat burglar, has ripped off the ring-leader of a drug racket and now he's after her blood.
It's Alive (1969)
- 0
A farmer traps three people in a cave with his pet prehistoric monster.
The Big Bounce (1969)
- 0
A Vietnam veteran and ex-con is persuaded by a shady woman to rob a $50,000 payroll account on a California produce farm. But who is playing who?
Satan's Sadists (1969)
- 0
The "Satans" are a very cruel biker gang led by Anchor. The gang goes to a diner in the middle of nowhere in the California desert where they begin to terrorize Lew and his patrons and his waitress, Tracy. After a little killing, one of the patrons named Johnny manages to escape from the bikers into the desert. They need to reach a town before the Satans catch up to them and kill them.
The Devil's Eight (1969)
- 0
The Devil's 8 is a 1969 film from American International Pictures. It is about a Federal agent (Christopher George) who recruits six convicts to bust a moonshine ring.
A Very Curious Girl (1969)
- 0
Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.
Love Feast (1969)
- 0
Mr. Murphy, a photographer, lures models to his house on the pretense of legitimate modelling work, and then busies himself bedding them. After a while, his bedroom has gotten pretty crowded and he's exhausted, so he snags a taxi cab driver to help out. Soon, a trio of domineering women show up and force him (willingly) to dress in women's clothes and submit to their whims.
A Touch of Love (1969)
- 0
Intellectually driven doctoral student Rosamund Stacey, while undertaking graduate work at the British Museum, becomes pregnant after a brief affair with a television newsreader. Against the advice of her best friend, Lydia, Rosamund chooses to keep the baby and adjusts her life to include both her studies and her pregnancy. However, when the baby is born, an unforeseen complication threatens the self-sufficient life Rosamund plans for herself.
Five Bloody Graves (1969)
- 0
A lone gunman hunts the fearsome Apache Satago across the plains of the Wild West. When Satago's marauders ambush a stagecoach, the gunman rides to the rescue of the trapped passengers and helps them in their last stand against the deadly Indians.
Fellini: A Director’s Notebook (1969)
- 0
Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.
Dillinger Is Dead (1969)
- 1
A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.
Death May Be Your Santa Claus (1969)
- 0
Frankie Dymon's Death May be Your Santa Claus (1969), arguably Britain's first and only example of a 'black power' movie, in which themes of sexual and political identity encircle one another in the context of a hip and hippy London of the late 1960s, suspended between the cinematic radicalisms of films such as Roeg's Performance, Godard's Sympathy for the Devil in which Dymon played a leading role, or Boorman's Leo the Last. Thought lost until quite recently, this inscrutably-titled film is described as a 'pop fantasy' and offers an intriguing look at 60s sex and politics from a black British perspective.