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Top Movies from 1971

You are now browsing page 15, where we continue to highlight more remarkable films from 1971. If you’ve already discovered some exceptional titles on previous pages, now is the perfect time to delve even deeper into the cinematic landscape of that year. Keep exploring and enjoy the journey!

The Purple Horizon (1971)

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Since its first premiere in 1971, a classic Republic of Vietnam (1954-1975) war romance feature based on a fiction novel by military writer, Van-Quang. The film was lost for more than 4 decades when the communist forces took Saigon, Republic of Vietnam's capital, on April 30th, 1975. Digitized and restored from surviving 35mm prints archived by Japan film studio Imagica Lab; now transferred to UCLA Film and TV Archive. This film provides an almost unknown perspective on the Vietnam War, the Republic of Vietnam, and the RVN Army. The stage is the Republic of Vietnam, and the scenes portray a time during the Vietnam War as experienced by the

Agnus Dei (1971)

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Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.

Bury Me an Angel (1971)

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After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.

Inn of Evil (1971)

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The story takes place in feudal Japan, when any commerce with the rest of the world was strictly prohibited. An idealist suddenly appears in an isolated inn (the one that the title refers to), the head-quarters of a group of smugglers, with stolen money intended to ransom his loved one who is forced to work in a brothel.

Duel of Fists (1971)

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Two men, one a businessman skilled in Kung Fu, the other a kickboxer discover they are brothers, and together, both in and out of the ring, they must face a crime syndicate. One of the first films to use the martial art of Muay Thai.

The Takers (1971)

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After a breakfast of LSD and hitchhikers, The Takers--two berserk bikers--decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura's home, and invite themselves in: "We're gonna have us a party with some educated social-type broads!" And party they do until Laura's hubbie (director Carl Monson) unexpectedly shows up to settle things with some shotgun vengeance and... well, one of the goofiest, most startling endings of any motion picture!

Rio das Mortes (1971)

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Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.

Catch Me a Spy (1971)

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While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.

Stork (1971)

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Stork is a gangly young man, a virgin with an overactive imagination who thinks he’s a revolutionary. Bored with a design job at General Motors Holden in Melbourne, he drops out and moves into a share house with his mate Westy. He daydreams his way through life, bungling job interviews, upsetting ‘respectable’ people, and getting drunk. The only girl in the house, Anna resists Stork’s advances, because she’s already involved with the other two resident males, Tony and Clyde. But when she becomes pregnant and Clyde and Anna decide to marry, Stork, Tony, Clyde and Westy are shocked when they realize that either one of the foursome could be the

Love Toy (1971)

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A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more.

The Lion at World's End (1971)

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The astonishing true story of a zoo-born lion who found himself in the pet department of Harrods, then the cellar of an antique shop in London and, ultimately the wilds of Africa.

Basic Training (1971)

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Shot during the summer of 1970 at Fort Knox, Kentucky, Frederick Wiseman’s film Basic Training focuses on a group of men going through infantry training, showing how they are turned from civilians into soldiers. As well as being a unique portrait of the US army at work, the film is also a fascinating snapshot of a time and place at a defining moment in American history.

Maid in Sweden (1971)

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Schoolgirl Inga goes to visit her sister in Stockholm and is shocked to find her living with her boyfriend, Casten.

Bless the Beasts & Children (1971)

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A group of social misfits at a summer camp for boys run away to save penned-in buffaloes from a rifle club's slaughter.

Manhunt for Murder (1971)

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A French waiter living in New York City witnesses a murder and must go on the run from the police and the mob.

Beware of a Holy Whore (1971)

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Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.

David Lean: A Self Portrait (1971)

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A television documentary on the life and career of British film director David Lean. Scenes of Lean directing are intercut with personal interviews in which the director explains his methods, the beginnings of his career, and his relationships with actors and actresses.

The Boat on the Grass (1971)

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Despite their social differences, poor David and the rich Olivier are the best friends. David took the young Eleanor in Olivier's Paris apartment. When Olivier meets her there, he takes her to the country, where the three build a boat on the meadow. Eleanore divided the friends.